Los Angeles Film School: Jesse Zuretti to speak with students 10/24/2019

A discussion about getting your start as a music composer, followed by an open Q&A.

Watch the live stream via -

https://www.facebook.com/losangelesfilmschool/

This is not an invitation for an in person event. This is for attending the live stream and to be able to participate in a live Q&A, afterwards. The physical event is closed to the public and only Los Angeles Film School students and alumni can access the event physically. Online stream is available through the Los Angeles Film School Facebook Page, and is open to the public to watch and interact during the Q&A.

Hosted and moderated by Blake Carpenter, Career Advisor at the Los Angeles Film School.

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Unboxing Goodies from Team Ernie Ball! Mammoth Slinky?!?!

Big thank you to the team over at Ernie Ball for sending over this box of goodies! This should keep me covered for a few weeks ;) What's in the box? WHAT'S IN THE BOXXXXX?! • Mammoth Slinky: 12, 16. 24w. 34, 48. 62 • Paradigm 10-52 Electric Strings • Extra Light Nickelwound Custom 10, 14, 20, 28, 40, 50 • Custom Gauge Nickelwound 72 Electric String • Paradigm Phosphor Bronze 11-52 Acoustic Strings • Earthwood Phosphor Bronze 76 Acoustic String • Slinky til Death t-shirt • Everlast 1.00mm Purple Picks • Everlast .88mm Neon Green Picks I'm really excited to try out these Mammoth Slinky jammies spec'd out by the amazing Ryan "Fluff" Bruce. Dude has such great taste in everything, so I'm sure these will crush in my Les Paul! Music in the video is by my band, Binary Code - "The Absolute Nothing", from our upcoming full length release MEMENTO MORI. The album should be out end of October, so be on the lookout and follow us on social media for updates! Website: http://www.jessezuretti.com IG: http://www.instagram.com/jessezuretti FB: http://www.facebook.com/jzuretti Binary Code IG: http://www.instagram.com/binarycodeof... FB: http://www.facebook.com/binarycodemusic

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Jesse Zuretti
Official Member of The Society of Composers & Lyricists!

The Society of Composers & Lyricists has been bringing together creators since 1945 to foster community, further our understanding of our craft, and to have a voice in the decisions that affect our future. Advisors & Members include: Hans Zimmer (Interstellar, The Dark Knight), Howard Shore (Lord of the Rings), Alan Silvestri (Avengers: Endgame), Pinar Toprak (Captain Marvel), Michael Giacchino (Spider-Man: Far From Home), as well as Hall of Famers Bernard Herrmann, and George & Ira Gershwin.

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Fantastic Four Theme is live @ Marvel!

This particular composition is a team of genres that weave in between one another, very similar to how the Fantastic Four work together as a team. Low Brass, Strings, Synths, drum machines, war drums, a whole team of eclecticism joins together to depict the sound of the Fantastic Four in one of my favorite episodes yet!

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X-Force (Deadpool, Cable) Theme is live @ Marvel!

This particular theme for X-Force draws from the movie Deadpool 2. Junkie XL used some funky analog synths on that score, and I wanted to draw that vibe in to accompany this incredible weird and unorthodox crue of misfits who came together to do some serious (good) damage!

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Thanos SNAP! Theme is live @ Marvel!

I wrote this composition in September of 2018, doing my best to capture the villainous tone of Thanos. The cool thing is, if you watch Avengers: Endgame, you’ll notice Thanos and the music may sound familiar as he descends from his ship in the scene before his battle with Captain America and Thor. 

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Doctor Strange Theme is live @ Marvel!

This is one of my favorite compositions I did for Marvel. This was an opportunity to interpret the sounds of magic and wizardry, and I did so by utilizing classical elements from classic movies about magic and mysticism - conjuring the sounds of flutes, low brass, grand piano, and whirling reverbs. 

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Daredevil Theme is live @ Marvel!

Daredevil’s theme is a bit of a good story for me. Originally, I submitted a theme that was labeled “too dark” for the motif. So, I went back to the drawing board and came up with this “not too dark” composition that has a bit more drive and less somberness to it. One day I’ll link up the original “too dark” for Marvel version!

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